JT65, BPSK, RTTY, STTY, ... Huh ?
An Overview of Digital HF Radio Operating Modes
TOR is an acronym for Teleprinting Over Radio. It is traditionally used to describe the three popular "error free" communication modes - AMTOR, PACTOR and G-TOR. The main method for error correction is from a technique called ARQ (Automatic Repeat Request) which is sent by the receiving station to verify any missed data. Since they share the same method of transmission (FSK), they can be economically provided together in one Terminal Node Controller (TNC) radio modem and easily operated with any modern radio transceiver. TOR methods that do not use the ARQ hand-shake can be easily operated with readily available software programs for personal computers. For the new and less complex digital modes, the TNC is replaced by an on-board sound card in the personal computer.
AMTOR is an FSK mode that is hardly used by radio amateurs in the 21st Century. While a robust mode, it only has 5 bits (as did its predecessor RTTY) and can not transfer extended ASCII or any binary data. With a set operating rate of 100 baud, it does not effectively compete with the speed and error correction of more modern ARQ modes like Pactor. The non-ARQ version of this mode is known as FEC, and known as SITOR-B by the Marine Information services.
To hear what an Amtor signal sounds like, click the sound icon
PACTOR is an FSK mode and is a standard on modern Multi-Mode TNCs. It is designed with a combination of packet and Amtor Techniques. Although this mode is also fading in use, it is the most popular ARQ digital mode on amateur HF today and primarily used by amateurs for sending and receiving email over the radio. This mode is a major advancement over AMTOR, with its 200 baud operating rate, Huffman compression technique and true binary data transfer capability.
To hear what a Pactor signal sounds like, click the sound icon
G-TOR (Golay -TOR) is an FSK mode that offers a fast transfer rate compared to Pactor. It incorporates a data inter-leaving system that assists in minimizing the effects of atmospheric noise and has the ability to fix garbled data. G-TOR tries to perform all transmissions at 300 baud but drops to 200 baud if difficulties are encountered and finally to 100 baud. (The protocol that brought back those good photos of Saturn and Jupiter from the Voyager space shots was devised by M.Golay and now adapted for ham radio use.) GTOR is a proprietary mode developed by Kantronics. Because it is only available with Kantronics multi-mode TNCs, it has never gained in popularity and is rarely used by radio amateurs.
To hear what a G-TOR signal sounds like, click the sound icon
PACTOR II is a robust and powerful PSK mode which operates well under varying conditions. It uses strong logic, automatic frequency tracking; it is DSP based and as much as 8 times faster then Pactor. Both PACTOR and PACTOR-2 use the same protocol handshake, making the modes compatible. As with the original Pactor, it is rarely used by radio amateurs since the development of the new PC based sound card modes. Also, like GTOR, it is a proprietary mode owned by SCS and only available with their line of multi-mode TNC controllers.
To hear what a PactorII signal sounds like, click the sound icon
CLOVER is a PSK mode which provides a full duplex simulation. It is well suited for HF operation (especially under good conditions), however, there are differences between CLOVER modems. The original modem was named CLOVER-I, the latest DSP based modem is named CLOVER-II. Clovers key characteristics are band-width efficiency with high error-corrected data rates. Clover adapts to conditions by constantly monitoring the received signal. Based on this monitoring, Clover determines the best modulation scheme to use.
To hear what a Clover signal sounds like, click the sound icon
RTTY or "Radio Teletype" is a FSK mode that has been in use longer than any other digital mode (except for morse code). RTTY is a very simple technique which uses a five-bit code to represent all the letters of the alphabet, the numbers, some punctuation and some control characters. At 45 baud (typically) each bit is 1/45.45 seconds long, or 22 ms and corresponds to a typing speed of 60 WPM. There is no error correction provided in RTTY; noise and interference can have a seriously detrimental effect. Despite its relative disadvantages, RTTY is still popular with many radio amateurs. This mode has now been implemented with commonly available PC sound card software.
To hear what a RTTY signal sounds like, click the sound icon
PSK31 is the first new digital mode to find popularity on HF bands in many years. It combines the advantages of a simple variable length text code with a narrow bandwidth phase-shift keying (PSK) signal using DSP techniques. This mode is designed for "real time" keyboard operation and at a 31 baud rate is only fast enough to keep up with the typical amateur typist. PSK31 enjoys great popularity on the HF bands today and is presently the standard for live keyboard communications. Most of the ASCII characters are supported. A second version having four (quad) phase shifts (QPSK) is available that provides Forward Error Correction (FEC) at the cost of reduced Signal to Noise ratio. Since PSK31 was one of the first new digital sound card modes to be developed and introduced, there are numerous programs available that support this mode - most of the programs available as "freeware".
To hear what a PSK31 signal sounds like, click the sound icon
HF PACKET (300 baud) radio is a FSK mode that is an adaption of the very popular Packet radio used on VHF (1200 baud) FM amateur radio. Although the HF version of Packet Radio has a much reduced bandwidth due to the noise levels associated with HF operation, it maintains the same protocols and ability to "node" many stations on one frequency. Even with the reduced bandwidth (300 baud rate), this mode is unreliable for general HF ham communications and is mainly used to pass routine traffic and data between areas where VHF repeaters maybe lacking. HF and VHF Packet has recently enjoyed a resurgence in popularity since it is the protocol used by APRS - Automatic Position Reporting System mostly on 2 meter VHF and 30 meter HF.
To hear what a packet signal sounds like, click the sound icon
HELLSCHREIBER is a method of sending and receiving text using facsimile technology. This mode has been around along time. It was actually developed by Germany prior to World War II! The recent use of PC sound cards as DSP units has increased the interest in Hellschreiber and many programs now support this new...well I mean, old mode. The single-tone version (Feld-Hell) is the method of choice for HF operation. It is an on-off keyed system with 122.5 dots/second, or about a 35 WPM text rate, with a narrow bandwidth (about 75 Hz). Text characters are "painted" on the screen, as apposed to being decoded and printed. Thus, many different fonts can be used for this mode including some basic graphic characters. A new "designer" flavor of this mode called PSK HELL has some advantage for weak signal conditions. As with other "fuzzy modes" it has the advantage of using the "human processor" for error correction; making it the best overall mode for live HF keyboard communications. Feld-Hell also has the advantage of having a low duty cycle meaning your transmitter will run much cooler with this mode.
To hear what a Hellschreiber signal sounds like, click the sound icon
MT63 is a new DSP based mode for sending keyboard text over paths that experience fading and interference from other signals. It is accomplished by a complex scheme to encode text in a matrix of 64 tones over time and frequency. This overkill method provides a "cushion" of error correction at the receiving end while still providing a 100 WPM rate. The wide bandwidth (1Khz for the standard method) makes this mode less desirable on crowded ham bands such as 20 meters. A fast PC (166 Mhz or faster) is needed to use all functions of this mode. MT63 is not commonly used by amateurs because of its large bandwidth requirement and the difficulty in tuning in an MT63 transmission.
To hear what a MT63 signal sounds like, click the sound icon
THROB is yet another new DSP sound card mode that attempts to use Fast Fourier Transform technology (as used by waterfall displays). THROB is actually based on tone pairs with several characters represented by single tones. It is defined as a "2 of 8 +1 tone" system, or more simply put, it is based on the decode of tone pairs from a palette of 9 tones. The THROB program is an attempt to push DSP into the area where other methods fail because of sensitivity or propagation difficulties and at the same time work at a reasonable speed. The text speed is slower than other modes but the author (G3PPT) has been improving his MFSK (Multiple Frequency Shift Keying) program. Check his web site for the latest developments.
To hear what a Throb signal sounds like, click the sound icon
MFSK16 is an advancement to the THROB mode and encodes 16 tones. The PC sound card for DSP uses Fast Fourier Transform technology to decode the ASCII characters, and Constant Phase Frequency Shift Keying to send the coded signal. Continuous Forward Error Correction (FEC) sends all data twice with an interleaving technique to reduce errors from impulse noise and static crashes. A new improved Varicode is used to increase the efficiency of sending extended ASCII characters, making it possible to transfer short data files between stations under fair to good conditions. The relatively wide bandwidth (316 Hz) for this mode allows faster baud rates (typing is about 42 WPM) and greater immunity to multi path phase shift. A second version called MFSK8 is available with a lower baud rate (8) but greater reliability for DXing when polar phase shift is a major problem. Both versions are available in a nice freeware Windows program created by IZ8BLY.
To hear what an MFSK16 signal sounds like, click the sound icon
JT65 is intended for extremely weak but slowly-varying signals, such as those found on troposcatter or Earth-Moon-Earth (EME, or "moonbounce") paths. It can decode signals many decibels below the noise floor, and often allows amateurs to successfully exchange contact information without signals being audible to the human ear. Like the other digital modes, multiple-frequency shift keying is employed. However unlike the other digitalmodes, messages are transmitted as atomic units after being compressed and then encoded with a process known as forward error correction (or "FEC"). The FEC adds redundancy to the data, such that all of a message may be successfully recovered even if some bits are not received by the receiver. (The particular code used for JT65 is Reed-Solomon.) Because of this FEC process, messages are either decoded correctly or not decoded at all, with very high probability. After messages are encoded, they are transmitted using MFSK with 65 tones. Operators have also begun using the JT65 mode for contacts on the HF bands, often using QRP (very low transmit power usually less than 5 watts). While the mode was not originally intended for HF use, its popularity has resulted in several new programs being developed and enhancements to the original WSJT in order to facilitate HF operation.
To hear what a JT65 signal sounds like, click the sound icon
Olivia was developed by Pawel Jalocha and is a ham radio digital mode designed to work in difficult (low s/n ratios plus multipath propagation) conditions on HF bands. The signal can be decoded even when it is 10-14 db below the noise floor (i.e. when the amplitude of the noise is slightly over 3 times that of the signal). It can also decode well under other noise, QSB, QRM, flutter caused by polar path propagation and even auroral conditions. Currently the only other digital modes that match or exceed Olivia in sensitivity are some of the WSJT program modes that include JT65A and JT65-HF which are certainly limited in usage and definitely not true conversation capable.
The standard Olivia formats (bandwidth/tones) are 125/4, 250/8, 500/16, 1000/32, and 2000/64. However the most commonly used formats in order of use are 500/16, 500/8, 1000/32, 250/8, and 1000/16. This can cause some confusion and problems with so many formats and so many other digital modes. After getting used to the sound and look of Olivia in the waterfall, though, it becomes easier to identify the format when you encounter it. About 90% of all current Olivia activity on the air is one of the 2 formats : 500/16 and 1000/32.
To hear what an Olivia 500/16 signal sounds like, click the sound icon
To hear what an Olivia 1000/32 signal sounds like, click the sound icon
DominoEX is a digital mode using MFSK (Multi-Frequency Shift Keying), used to send data (for example, hand-typed text) by radio. MFSK sends data using many different tones, sent one at a time. Each tone element ('symbol') can carry several bits of data. Most other digital modes uses each tone to represent only one bit. Thus the symbol rate is much lower for the same data rate when MFSK is used. This is beneficial, since it leads to high sensitivity with good data rate and modest bandwidth. More importantly, low symbol rates are less effected by multi-path reception timing effects.
Therefore MFSK is ideal for HF operation since it has good noise rejection and good immunity to most propagation distortion effects which adversely affect reception of other modes. MFSK is already used on HF by modes such as MFSK16, ALE, THROB and Olivia, but DominoEX improves on the MFSK types of modes by employing an Incremental Frequency Keying strategy. DominoEX is also a reasonably narrow-band mode along the lines of MFSK16 or RTTY.
A narrow-band application of MFSK presents some challenges. The main problem is that radio transceivers with high stability and tuning accuracy are usually required, since very small frequency steps are used for example when ompared with RTTY. MFSK is also prone to interference from data arriving from different ionospheric paths, and like many modes, it is prone to interference from fixed carriers within the data passband. Forward Error Correction (FEC) can be deployed to reduce errors, but such modes can become slow and difficult to operate or the modes consume an excessive an excessive amount of bandwidth. With DominoEX, a different approach was taken, concentrating on perfecting the design for best Near Vertical Incidence Signal or NVIS reception without requiring FEC. All the inherent MFSK problems are also avoided or much reduced.
DominoEX uses a series of new techniques to counter the general limitations of MFSK. To avoid tuning problems, IFK (Incremental Frequency Keying) is used, where the data is represented not by the frequency of each tone, but by the frequency difference between one tone and the next, an equivalent idea to differential PSK. An additional technique, called Offset Incremental Keying (IFK+) is used to manage the tone sequence in order to counter inter-symbol interference caused by multi-path reception. This gives the mode a great improvement in robustness.
Like Olivia above, there are several variations of the DominoEX mode: DominoEX4, DominoEX5, DominoEX8, DominoEX11, DominoEX16 and finally DominoEX22. The higher the number the faster the speed of transmission so difficult conditions it may be wise to use the slower speed, while good conditions might allow for faster speeds.
To hear what a DominoEX8 signal sounds like, click the sound icon
To hear what a DominoEX16 signal sounds like, click the sound icon
Contestia is a digital mode directly derived from Olivia but not quite as robust. It is more of a compromise between speed and performance. It was developed by Nick Fedoseev, UT2UZ who is also one of the key developers of the MixW Mult-digital mode software application used by many hams. Contestia sounds almost identical to Olivia, can be configured in as many ways, but has essentially twice the speed.
Contestia has 40 formats just like Olivia. The formats vary in bandwidth (125,250,500,1000, and 2000hz) and number of tones used (2,4,8,16,32,64,128, or 256). The most commonly used formats right now seem to be 250/8, 500/16, and 1000/32.
So just how well does Contestia perform under very weak signal conditions. Surprisingly well as it handles QRM, QRN, and QSB very easily. It decodes below the noise level but experience has shown that Olivia still outperforms Contestia depending on which variation of the modes are used. However, Contestia is twice as fast as Olivia on a given variation of each respective mode. It is an excellent weak signal, conversational, QRP, and long distance digital mode. When using it for keyboard to keyboard conversation under fair to good conditions, it can be more preferable to many hams than Olivia because of the faster speed.
Contestia get it's increased speed by using a smaller symbol block size (32) than Olivia (64) and by a using 6-bit decimal character set rather than 7-bit ASCII set that Olivia does. Because it has a reduced character set and does not print out in both upper and lower case. Some traffic nets might not want to use this mode because it does not support upper and lower case characters and extended characters found in many documents and messages. For normal digital chats that does not pose any problem, but also because of these limitations, Contestia has not seen much use and is more of a novelty mode.
To hear what a Contestia signal sounds like, click the sound icon
The above information is used with friendly permission from WB8NUT
Digipan - Great PSK31 Software (Freeware)
FLDigi - Great Multi Mode Application and it runs on Windows, MAC OSX, and Linux. Plenty of add-ons and a messaging package (NBEMS) which is very useful for emergency communication (Freeware)
Hamscope - PSK31, RTTY, ASCII, MFSK, Packet and CW (Freeware)
IZ8BLY Hellschreiber - All popular Hell modes (Freeware)
MixW - The soundcard based software that does all the modes! (Shareware - Reasonable)
Streamby IZ8BLY for MFSK (Freeware)
Setup Ricky is gonna write another nice article on how to set it all up.
Frequencies / Times
10 Meter Band: 28.110 - 28.125 Mhz
12 Meter Band: 24.920 - 24.930 Mhz
15 Meter Band: 21.060 - 21.080 Mhz
17 Meter Band: 18.100 - 18.110 Mhz
20 Meter Band: 14.060 - 14.080 Mhz
30 Meter Band: 10.130 - 10.145 Mhz
40 Meter Band: 7.060 - 7.080 Mhz
80 Meter Band: 3.620 - 3.640 Mhz